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Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum

Received: 29 April 2016     Accepted: 8 June 2016     Published: 23 June 2016
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Abstract

Pottery production within Islamic lands including Iran in Samanid era went through profound changes. At this time, slip painted pottery is among the most beautiful and, at the same time, mysterious pottery in Islamic eras having various ornamental patterns. At museums and diverse collections of the world, there exist so many samples of this pottery kind, some of them having certificate and some have not been studied yet. At Treasury of Tehrn’s Bonyad Museum, a sample of slip painted Buff ware by a motif in the form of a man holding a cup is preserved that to date no information around it has been published. In this study, this object will be introduced. The study was conducted through a corresponding – descriptive method and its date collection was done by field and attributive method within which corresponding the object under study with certificated samples in other collections was done with the aim of introducing and answering to these two questions where and when the probable construction site and date of this pottery is. Finally, this result was achieved that this sample is among Nishapur’s productions and relating to the third and fourth centuries (LY).

Published in International Journal of Archaeology (Volume 4, Issue 4)
DOI 10.11648/j.ija.20160404.11
Page(s) 36-43
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2016. Published by Science Publishing Group

Keywords

Slip Painted Buff Ware, Bonyad Museum, Nishapur, 3rd and 4th centuries (LY)

References
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[2] Bulliet, R. W. 1992, Pottery Style and Social Status in Medieval Khurasan, Archaeology, Annales and Ethnohistory, A. B. Knapp (ed.), Cambridge University press, PP. 75-82.
[3] Choubak, H. 2004. Jazmoryan cultural continuity of the old city of Jiroft in the Islamic period, Supervisor: Mohammad Yousef Kiani Islamic period archeology thesis. Tarbiat Modarres University.
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[5] Fehervari, G. 1973. Islamic pottery, a comperehensive study based on the Barlow Collection, London: Faber & Faber.
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[12] Lane, A. 1948. Islamic Pottery from the Ninth to the Fourteen Centuries A. D in the Collection Sir. E. Hitchcock, Faber and Faber Limited, London.
[13] Morgan, P. 1994, Samanid Pottery, Type and Techniques, In: Cobalt And Luster, The First a Centuries of Islamic Pottery, Ernest Grube, The Nour Foundation In Association With b Azi Muth Editions and Oxford University Press Inc., Newyork, PP. 55-113.
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[18] Pancaroglu, O. 2007. Perpetual Glory (Medieval Islamic Ceramics from The Harvey B. Plotntick Collection), Chicago, The art institute of Chicago.
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[20] Shateri, M. Papel talla Cerámica en slip, 2009 especies, evolución y su lugar en la vida cultural, económica, basándose en las conclusiones de la cerámica en la época islámica de Alamut. Supervisor: Tulipanes Hayedeh, islámica tesis período de arqueología de la Universidad de Teherán.
[21] Shobeiri, D. 2010, The Study of Illustrations in Nishapur Samani pottery. MS Thesis, University of witness.
[22] Schrato, U. 1928. Samanid Art. Translated: Yaghoub Azhand. Tehran: Moulla.
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  • APA Style

    Najmeh Nouri. (2016). Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum. International Journal of Archaeology, 4(4), 36-43. https://doi.org/10.11648/j.ija.20160404.11

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    ACS Style

    Najmeh Nouri. Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum. Int. J. Archaeol. 2016, 4(4), 36-43. doi: 10.11648/j.ija.20160404.11

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    AMA Style

    Najmeh Nouri. Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum. Int J Archaeol. 2016;4(4):36-43. doi: 10.11648/j.ija.20160404.11

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  • @article{10.11648/j.ija.20160404.11,
      author = {Najmeh Nouri},
      title = {Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum},
      journal = {International Journal of Archaeology},
      volume = {4},
      number = {4},
      pages = {36-43},
      doi = {10.11648/j.ija.20160404.11},
      url = {https://doi.org/10.11648/j.ija.20160404.11},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ija.20160404.11},
      abstract = {Pottery production within Islamic lands including Iran in Samanid era went through profound changes. At this time, slip painted pottery is among the most beautiful and, at the same time, mysterious pottery in Islamic eras having various ornamental patterns. At museums and diverse collections of the world, there exist so many samples of this pottery kind, some of them having certificate and some have not been studied yet. At Treasury of Tehrn’s Bonyad Museum, a sample of slip painted Buff ware by a motif in the form of a man holding a cup is preserved that to date no information around it has been published. In this study, this object will be introduced. The study was conducted through a corresponding – descriptive method and its date collection was done by field and attributive method within which corresponding the object under study with certificated samples in other collections was done with the aim of introducing and answering to these two questions where and when the probable construction site and date of this pottery is. Finally, this result was achieved that this sample is among Nishapur’s productions and relating to the third and fourth centuries (LY).},
     year = {2016}
    }
    

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    T1  - Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum
    AU  - Najmeh Nouri
    Y1  - 2016/06/23
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    T2  - International Journal of Archaeology
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    UR  - https://doi.org/10.11648/j.ija.20160404.11
    AB  - Pottery production within Islamic lands including Iran in Samanid era went through profound changes. At this time, slip painted pottery is among the most beautiful and, at the same time, mysterious pottery in Islamic eras having various ornamental patterns. At museums and diverse collections of the world, there exist so many samples of this pottery kind, some of them having certificate and some have not been studied yet. At Treasury of Tehrn’s Bonyad Museum, a sample of slip painted Buff ware by a motif in the form of a man holding a cup is preserved that to date no information around it has been published. In this study, this object will be introduced. The study was conducted through a corresponding – descriptive method and its date collection was done by field and attributive method within which corresponding the object under study with certificated samples in other collections was done with the aim of introducing and answering to these two questions where and when the probable construction site and date of this pottery is. Finally, this result was achieved that this sample is among Nishapur’s productions and relating to the third and fourth centuries (LY).
    VL  - 4
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Author Information
  • Faculty of Preservation and Restoration, Department of Archaeology, Isfahan University of Art, Isfahan, Iran

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